Category Archives: Handmade Designer Jewelry

The Making of a Masterpiece VI (Part 2)

The finished pendent, steps in making follow.

The finished pendent, steps in making follow.

The wing is constructed of separate elements to give it maximum definition. Here an individual "feather' has been cut out, drilled for the gem and is prepared to be domed.

The wing is constructed of separate elements to give it maximum definition. Here an individual “feather’ has been cut out, drilled for the gem and is prepared to be domed.

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Here goldsmith Michael Corneau uses a steel punch to curve a single feather of the bird's wing.

Here goldsmith Michael Corneau uses a steel punch to curve a single feather of the bird’s wing.

Ancient Technique of Sand Casting:

Truly handmade jewelry is made in the ancient manner using the metal itself.

Modern commercial and some so-called handmade pieces are actually carved in wax and then cast using the cire perdue or lost wax process.  The more ancient method is sand casting.  The approach is similar, a model is made and it is impressed into a crucible.  In each case the molten gold is poured into a vacancy.  Once a mold is made, lost wax can be used to produce multiples.

The total time required for Michael Corneau to produce the Peacock Pendent was 212 hours.  This did not count, of course, the time spent developing the concept, discussion and selection of gemstones.

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Sand casting the peacock’s body: Molten gold is poured into the depression made by removing the model from the sand.

Setting the gems: Once the feathers have been dapped out and soldered together and the cast body has been finished and soldered to the tail, gem setting can begin, the method is known as thread and bead setting.Peacock Pendant: Micro view, all gems set.

Setting the gems: Once the feathers have been dapped out and soldered together and the cast body has been finished and soldered to the tail, gem setting can begin, the method is known as thread and bead setting.Peacock Pendant: Micro view, all gems set.


by Richard W. Wise, G.G., A.S.G. ©2012 all rights reserved.

The Making of a Masterpiece VI (part 1)

22k/18k hand fabricated Peacock Pendant. The piece is accented with two black opals from the Moonshine Field at Lightning Ridge as well as rubies, sapphires, natural Mississippi pearls and spessartite garnets. Designed and handmade by R. W. Wise, Goldsmiths, Michael Corneau, designer/craftsman.

22k/18k hand fabricated Peacock Pendant. The piece is accented with two black opals from the Moonshine Field at Lightning Ridge as well as rubies, sapphires, natural Mississippi pearls and spessartite garnets. Designed and handmade by R. W. Wise, Goldsmiths, Michael Corneau, designer/craftsman.

by Richard W. Wise, G.G., A.S.G.

©2013  all rights reserved.

What is art and is the work of the goldsmith an art at all or merely a craft?  This is an ancient debate.  Some would argue that the use of precious materials, as opposed to more mundane materials, such as paint and canvas disqualifies the metalsmith and his product from the status and stature of the fine artist.  Jewelry is all about the materials, gold, platinum, gemstones, design being viewed as a secondary concern.  The objective of the goldsmith, is to decorate the body and decoration is not art.

That the piece pictured left is decorative cannot be denied.  Its inspiration hails from the Art Nouveau Movement (1900-1910), with a design iconography that evolved out of the Arts & Crafts Movement, which paradoxically stressed the use of simple non-ostentatious materials and hand craftsmanship.  Like Arts & Crafts jewelry, Art Nouveau jewelry utilized naturalistic design,  but whereas Arts & Crafts practitioners emphasized the use of unusual and relatively mundane non-precious materials,  Art Nouveau eschewed the ideological and abandoned the mundane but retained the emphasis on the naturalistic embracing a a more feminine, sensuous vocabulary partially through the use of precious materials.

It is no mistake that the Art Nouveau Period parallels what has become known as The Gilded Age—neither saw anything wrong for sumptuous decoration for its own sake.  Plato reduced art to beauty.  Is decoration art or is it something else, I guess you will have to decide.

As is often the case, we began with a client, a magnificent pair of black opals and an idea.  We worked with the client over several months.  The following images illustrate far better than any words the development of the concept.

Birth of  A Concept:

The concept began with a pair of black opals the two peacocks, a perennial part of the Art Nouveau design lexicon.  The peacock has been used as a symbol from the time of the ancient Greeks.  However, in this case, it seemed particularly useful as a naturalistic excuse to show off the the bird’s plumage using a rainbow of colored gemstones.

Second Preliminary sketch.

Second Preliminary sketch.

Completed sketch.

Completed sketch

 

Accenting Color

Finding accents for gem opal is always a challenge.  Very few gemstones find a simpatico with opal.  In this case; ruby and blue sapphire worked very well, picking up the corresponding hues in the opals, but when it came to the orange tones in the opal, orange sapphire and diamond simply did not work.  The only gemstone that the opal would accept was spessartite garnet. Here is the preliminary

layout:  In the next post, I’ll share some more images including the steps involved in the hand manufacture of this beautiful pendant.  Stay tuned…

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